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Issue:- 7 November 2014

Paloma Faith live in Liverpool

Photograph copyright Jo Forrest, joforrestphotographer.com

THE Brit-Nominated star Paloma Faith was in the Liverpool Empire Theatre, on 4 November 2014 ahead of her Arena tour that visits the Liverpool Arena, on Tuesday, 24 March 2015. The Theatre is a lovely intimate venue for the setting of her current tour.  I have to say that I was somewhat surprised by the very varied age range in the audience, but as Paloma bounced onto the stage, of the packed theatre, she delighted everyone in attendance. Her 3rd album:- 'A Perfect Contradiction' was released in March 2014 and she went on to perform almost exclusively some of her best known hits from this.  She did however perform a rousing version of one of her all-time heroine’s classics:- 'River Deep Mountain High.'  For more photographs of  Paloma Faith performing to the very receptive audience, her unique, retro and eccentric style numbers, please visit Jo Forrest's website.

IRANALAMADINGDONG

TAKE note of below..!

Question:- Is stand-up your first love?

Answer:- I've done lots of different things and enjoyed them but stand-up, when it goes well - it often doesn't - is definitely a love. There's something deeply satisfying about a good gig. I'm not often happy with myself as an actor. I get upset when I see myself acting on screen, mostly because of the way I look. But as a stand-up it's always a bonus if you look heavy or awkward or damaged…in my case it helps in fact.

Question:- So you feel very much at home in the stand up arena?

Answer:- When I was working on Moonfleet last summer Ray Winstone told me:- 'I don't feel I come alive on set until I've done a fight scene and thrown my first right hook'. Similarly, I don't really feel I've come to life unless I've triggered laughter from a crowd. It's probably an illness… a comedian's illness. But I don't panic like I used to. If a joke misses or backfires I know there's a hundred more on their way. But it's strange, I'm getting more serious off stage and savour even more the times when I'm on it. There's always something in my mind telling me 'enjoy it while you can, this isn't going to last much longer.'

Question:- Do you feel fired up on stage?

Answer:- Not really fired up, but sometimes I am genuinely upset when a show is over. I would love to go on all night… in a way I understand Ken Dodd who famously starts at 8pm and sometimes finishes at 2am. My problem is I just don't have the material. So I usually just take the feeling of loss and disappointment off with me when I say goodnight and drive home alone in the dark thinking of the good times and how I can say more next time and say it better.

Question:- Is your relationship with the audience important?

Answer:- Most comedians are sensitive to audience reaction. Generally speaking, comics like people. Stand up is basically one person talking to many people. It's a bizarre dynamic… public speaking has been with us for thousands of years. I remember even feeling a panic when I was younger that I should get up and speak because I'd have to one day so best start young. If you're not too nervous about speaking and saying what's on your mind in a one on one then that openness is what you need on stage. It's important not to be too hung up about what people think of you. Finding a comedy voice can take years though.

Question:- What themes will you be addressing in the new show?

Answer:- Growing older. We all struggle with it. As Dave Allen once said:-'I enjoy getting older. I have to because there's no choice'. When you hit your forties you understand life better, but at the same time your body is more prone to fail. So you have to find a way of joining your received wisdom with physical prowess. A lot of men who hit 40 try to do things that make them feel more alive because they want to prove themselves. That's why I did Splash! I wanted to do something out of the box, stretch my courage and prove I was still a young man at heart even though my bits were dropping off.

Question:- What else will you be discussing?

Answer:- Relationships. I think I've maybe come to understand the secret to them now. I know when a woman gets married, she has to learn to forgive her man from day one. Because men are idiots. Before they become conscious human beings, that is. They can take years doing the wrong thing before they learn to adjust their behaviour. So women need patience and forgiveness… and a voice to articulate what the man is doing that is wrong in a way a man can hear Otherwise it's over.

Question:- You also address the subject of celebrity in this show…

Answer:- Yes… I talk about the fact that when you become a celebrity… or in fact in any line of work where you feel you are important somehow in a worldly sense because people around you are telling you so… there is a period when you become an arse. It happens to everyone. You start believing your own hype and behave foolishly. A more eloquent way would be to describe it as becoming “a plaything of the ignorant”. Not many talk people about this “arse” - phase but I'm happy to. I became an arse. I'll go there. And it's bad….

Question:- So how did you snap out of it?

Answer:- I'm not sure I have. It's up for debate.

Question:- Do your recent visits to the US also inform the act?

Answer:- Yes. I love America. It's very hard trying to obtain a visa to work in the US. My work Visa was delayed so badly I nearly missed my flight. Maybe referencing Pablo Escobar and Osama Bin Laden on the form didn't help.

Question:- Am I right your act has become less overly political these days?

Answer:- I don't feel the same pressure to talk about things in the news any more. On Twitter, comics feel they constantly have to comment on things that are trending and put their oar in. But nowadays if everyone is talking about fracking I'll just talk about Peters and Lee (1970's singing duo).

Question:- Is there such a thing as an archetypal comedian's mentality?

Answer:- (thinks) Erm… not really. But most comedians I know do have a filter missing. They usually 'go for the gag', even if it's at the expense of total social humiliation, but they still do it because they know it'll be great story they can tell later (or even use on stage). It's almost as if comics need to be loved and talked about more than being respected. Stories circulate amongst comedians about who did what amd when and stories are told with such relish they almost become myth. I talk about this is show…

Question:- Are you happy with where your career is?

Answer:- (pauses) Well… I think in life you have to count your blessings otherwise you'll never be happy. But I haven't worked out the reason why I'm overweight yet, and I really shouldn't be. It's an issue that takes precedence… so forgive me for not really answering your question.

Tickets for Omid Djalili Live tour can be found at:-
online.

Dates and times:-

November 2014

8 Hull City Hall 8:00PM 0148 222 6655

13

Bolton

Albert Halls

8:00PM

0120 433 4400

14

Aylesbury

Waterside Theatre

8:00PM

0844 871 7607

15

Chatham

Central Theatre

8:00PM

0163 433 8338

16

Southend

Cliffs Pavilion

8:00PM

0170 235 1135

21

Tunbridge wells

Assembly Hall Theatre

8:00PM

0189 253 0613

22

Dartford

Orchard Theatre

8:00PM

0132 222 0000

28

Margate

Winter Gardens

8:00PM

0184 329 2795

December 2014

6

Salisbury

City Hall

8:00PM

0172 243 4434

7

Liverpool

Empire

8:00PM

0844 871 3017

11

Wolverhampton

Civic Hall

8:00PM

0870 320 7000

January 2015

16

Bournemouth

Pavilion Theatre

8:00PM

0844 576 3000

17

Reading

The Hexagon

8:00PM

0173 439 0390

18

Buxton

Opera House

8:00PM

0845 127 2190

20

Doncaster

The Dome

8:00PM

0130 237 0777

21

Newcastle

Whitley Bay Playhouse

8:00PM

0844 493 9999

22

Edinburgh

Playhouse

8:00PM

0844 871 3014

23

Perth

Concert Hall

8:00PM

0173 862 1031

24

Aberdeen

Music Hall

8:00PM

0122 464 1122

25

Shrewsbury

Theatre Severn

8:00PM

0174 328 1281

29

Peterborough

The Cresset

8:00PM

0173 326 5705

30

Cambridge

Corn Exchange

8:00PM

0122 335 7851

31

Coventry

Warwick Arts Centre

8:00PM

0247 652 4524

February 2015

4

Lichfield

Garrick Theatre

7:30PM

0154 341 2121

5

Northampton

Royal & Derngate Theatre

8:00PM

0160 462 4811

6

Carlisle

The Sands Centre

8:00PM

0122 863 3766

7

Preston

Charter Theatre

8:00PM

0844 844 7710

9

York

Grand Opera House

8:00PM

0844 871 3024

12

Nottingham

Theatre Royal

8:00PM

0115 989 5555

13

Birmingham

Symphony Hall

8:00PM

0121 345 0600

15

Brighton

Theatre Royal

8:00PM

0844 871 7650

17

Cheltenham

Town Hall

8:00PM

0844 576 2210

18

Plymouth

Pavilions

8:00PM

0845 146 1460

19

Swansea

Grand Theatre

8:00PM

0179 247 5715

20

Bristol

Colston Hall

8:00PM

0844 887 1500

21

Cardiff

St David's Hall

8:00PM

0292 087 8444

22

Milton Keynes

Milton Keynes Theatre

8:00PM

0844 871 7652

23

Darlington

Civic Theatre

8:00PM

0132 548 6555

24

Crewe

Lyceum Theatre

8:00PM

0127 036 8242

28

Isle Of Wight

Shanklin Theatre

8:00PM

0198 386 8000

March 2015

1

Woking

New Victoria Theatre

8:00PM

0844 871 7645

6

Jersey

Opera House

8:00PM

0153 451 1115

7

Jersey

Opera House

8:00PM

0153 451 1115

9

Stoke-On-Trent

Victoria Hall

8:00PM

0844 871 7649

10

Burnley

Mechanics

8:00PM

0128 266 4400

12

Leeds

Town Hall

8:00PM

0113 224 3801

13

Manchester

Opera House

8:00PM

0844 871 3018

14

Manchester

Opera House

8:00PM

0844 871 3018

15

Bridlington

Spa Pavilion

8:00PM

0126 267 8255

17

Weymouth

Pavilion

7:30PM

01305 783225

18

Leicester

De Montfort Hall

8:00PM

0116 233 3111

19

Isle Of Man

Villa Marina

8:00PM

01624 600555

20

Guildford

G Live

8:00PM

0844 7701 797

21

High Wycombe

Swan Theatre

7:30PM

01494 512 000

22

Norwich

Theatre Royal

8:00PM

01603 630000

26

Watford

Colosseum

8:00PM

0845 075 3993

27

London

Eventim Apollo Hammersmith

8:00PM

020 8563 3800

28

London

Eventim Apollo Hammersmith

8:00PM

020 8563 3800

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